I constantly run after the color in extreme situations of creation

The theme of the landscape is an excuse to explore a lanuage as unusual as possible, and to do so I went along with the water so as to leave open field to creative moments of unconscious level and ensure a limited control over the media.
I constantly run after the color in extreme situations of creation;
For this reason I almost never prepare sketches, or if I start with an idea formed in my mind, this is inevitably only a starting point. In latest productions I began to compress more the water element, trying to snatch more moments of control and being able to create a texture in the color as a kind of layering that as in “geology” represent a vertical succession of layers mutually separated by physical surfaces of discontinuity, said plans or joints of stratification. These layers are due to variations in the speed of sedimentation of the color (pigment precipitation that clings to the canvas), and then the transport capacity and the selection of the water. In doing so I create my worlds.

Of the soul and other diseases

Parallel to my research on water use and layering color I started a series of paintings that, in terms of style, reflects canons certainly more traditional but which are dictated by the need to express my inner world: “Of the soul and other diseases. ”
In Aristotle, in a very generic sense, the senses produces diseases with sensitive data on the soul, which is imprinted; This imprinting produces the beginning of the learning process.
Inasmuch as from the objects/external subjects comes those elements that cause changes in the soul not only sensitive but also sentimental as pleasure, pain, desire… etc., this diseases coincides with the “passions” of the ethical sphere.
The technique used is always the same: ecoline, ink and watercolors on canvas.